Ayami Sawada – Second Impact (July 25th, 2010)
Takeshobo
Catalog # – TSDV-41289 – Region 2 Disc – 16:9 Aspect
Running Time: 73 minutes
The Skinny – An excellent beginning to a very good performance by Ayami Sawada in Second Impact. You’ve heard of the rollings hills? This video should have been entitled Rolling Hips. Why? Simple – the view of Sawada-san’s hips in motion is magnificent. It is like a visual presentation of beautiful music or lovely poetry.
Ms Sawada spends many minutes, make that most of Chapter One showing us her backfield in motion. Since this chapter is set on the beach, she can safely crawl or walk away from us for a delightfully enhanced view of this action in a wonderful swim suit which clings to her curves.
The second stanza is a bit more sedate affair and takes place in Ayami’s hotel room. She’s delightfully charming of course, but when I said ‘a bit more sedate’ I was referencing action not temperatures. If anything, this scene, which has her in a clingy slip over her bra and panties, is even more playfully alluring than she was in the beach scene.
Three finds Ayami in a clingy black knit dress that is not only quite short, not only form fitting, but also has a myriad of open spaces in its design. The setting is the altogether fashionably unfashionable deserted building. Watch for her to fondle her own derriere, as well as end the scene wearing the ever-popular hand bra.
In Four, the chapter begins with Ayami shyly speaking to us from behind a door. We can only see her head. Maybe she’s not happy with the outfit chosen for her. Voila! There’s not much to it is there? Still, the chapter allows Ayami to once more show off her butt, and get down to near basics when she resorts again to the hand bra. As the scene closes, she has this embarrassed look on her face. Priceless.
Five has Ayami-chan wearing a bit cms of lace. She sits in a corner of the balcony and has an encounter with a banana. Need I say more? I think not.
Six is a bathtub scene. This bath room is none too pretty. The lighting is spotty with several shadows seemingly always in the picture. Also getting a good amount of screen time is the Sawada backview. Scintillating as that might be the scene could have been better.
Geez, I’ve been talking about it enough, so let’s have one more shot of Ayami’s backfield in motion once more.
The next chapter begins with a Cebu (Philippines) tourist bus rolling into view. On board is Ayami wearing a cowboy hat , denim skirt, boots, the whole bit. Of course that’s just the window dressing because beneath all that is a miniscule white thong bikini. I could get very used to watching Sawada’s tail. When is her next video release?
In the image above you can see the top part of Ayami’s bikini on the floor of the bus.
Eight is a bedroom seduction scene. Ayami wears a red satin bustier with matching panties, garter belt, and stockings. They did a lousy job with the lighting which means the corners are dark, and the subject, Ayami, is under lighting which should have been less harsh.
About the best thing I can say for this scene is the inclusion of the classic 1964 jazz piece, So What, from the Kind of Blue album. The music by Miles Davis provides a nice audio counterpoint to Sawada’s heavy breathing.
That’s it – the credits roll next. Of course they roll by slowly as we watch Ayami in semi-silhouette against a late afternoon sky that becomes a sunset. In an interesting bit of production skullduggery, the directorial credit was given to some one called Trans Am. But we know what that means; a director with a contract for exclusivity with another production house directed this video, but couldn’t put his own real name on it. Or maybe it is something else. Read on…
Summary: – This is a video that is flawed in a few places, but thanks to that eyes-magnet tail of Ayami, it is a real treat for the most part. Ayami Sawada has a beautiful body and she really should work more often. I believe this is just her second DVD. I reviewed her first one here.
In that review I mentioned that I hoped that she would work for a major production outfit like Takeshobo, and here we are 18 months or so later having our wish come true.
I’m going to score this one at four point zero, and hope for a better effort from the guys behind the camera. The model did her ‘end’ and made a handsome contribution.
Maybe this wasn’t a case of a moonlighting director, Maybe instead it was a case of unreconciled ‘artistic differences’ leading to the director being fired or else he quit. That’s a wrap for this review.