Miyabi Isshiki – Premium Cutie
Cutie & Honey / Glamorous Candy
Catalog # – CHD-35 – All Regions Disc – 16:9 Aspect
Running Time : 80 Minutes

The Skinny: This DVD may have been one of the most highly anticipated releases in the annals of gravure idols. After the disappointments of the last two Miyabi Isshiki videos directed by the unrepentant and talent challenged Momow, many of us wanted this Miyabi release to come up Aces. Well breathe easy my brethren – This one is Miyabi at her best.

The 1 minute and 25 seconds running time of the montage seems to fly by leaving us ready, willing and eager for more. And there’s Miyabi in a white and black maid’s uniform. She’s happy to see us and refers to us as [something?]-sama. The honorific ‘sama’ is generally used in conversations by a lesser ranked officer or person to a very senior or very highly ranked person or officer. Usually it conveys Lord or Master.

There’s your vegetable curry in the foreground —–>

Anyway our busty maid Miyabi proceeds, after first showing off her cleavage, her panties and her butt, to ask if she may serve dinner which turns out to be a rice and curry with vegetables main course with a salad. Not only does she prepare the dish, but she feeds us.

“Oishi des ka?, she asks (Is it delicious?).

Our comments are not heard but appear on the screen in Japanese script. It seems we are less hungry than we thought, and we’d prefer that Miyabi pose for us. Which she does gladly.

The next chapter is set on a rooftop of sorts. Or maybe it is a patio or large balcony of the apartment we just left. It is a low building and we can see some towering high rise buildings nearby. Miyabi is wearing a yellow cut off  tee shirt, cut-off blue jean shorts and high heels.  She’s carrying a bright yellow beach ball or maybe they call them exercise balls these days. This will serve as a seat only for Miyabi. Soon she’ll tug up the bottom of the cut-off tee shirt revealing the bottom of her boobs and then more. We see a pair of red and white heart pasties. Miyabi just sits on this ball smiling sweetly as we examine her boobs and pasties.

Suddenly the music stops and then Miyabi is back indoors in the same outfit but with a different colored ball. She will bend over this ball and we see her nearly bare boobs dangling away from her body. The shorts come off leaving Miyabi in white bikini panties and the tugged up tee shirt that exposes her pasties as the only covering of her boobs.

Then she’ll introduce some whipped cream and stemmed cherries and some strawberries. You know where the whipped cream will go and you know that the fruits will be dipped into the whipped cream then devoured. It gets a little messy, Miyabi spits out a cherry pit right toward us, but aside from that, you get a good look at the size and shape of her boobs.

The next chapter has Miyabi in a skirt and blouse, stockings, high heels, and eye glasses. She’s got a book entitled in English, Partners in History by Princeton Lyman which is a real book about the efforts by the US State Department’s diplomatic corps in South Africa’s transition from apartheid to democracy. She refers to us as sensei (teacher).

Miyabi walks about and then I caught (heard) a phrase with akai and kuroi. Miyabi is asking if we would like to see her red and black bra because that’s what she proceeds to do next – unbutton her blouse to reveal this huge cupped red lace and black satin brassiere. She’ll model this for us. I then heard sensei and oppai (breasts) in a sentence.   Her skirt comes off and we note that her panties are a match with the bra.

In the second part of the scene, a water bottle is brought into play. In the 3rd part, the beautiful red and black brassiere is replaced by the old standby – a hand and arm bra. And then a new one – the table bra. Or as it is called in some parts of the world – the desk bra.

Okay, when that chapter ended we were nearly half way thru at the 37 minute mark. Let’s do a quick recap: Miyabi is beautiful. Her eyes are huge and her boobs are most certainly huge. We’ve definitely been charmed by the busty and delightful Miyabi. We’ve also ended each of the three chapters presented so far in the very same room.

Four begins with Miyabi in a striped, zippered sweatshirt. Almost immediately she unzips it to reveal bright red suspenders and yellow smiley faces pasties. She then does the twists and turns necessary to keep a hula hoop in motion. She’s wearing bright blue panties beneath her short white skirt.

The hula hoop is soon discarded as it does use up a lot of energy. So Miyabi relaxes as she poses on the floor. Soon a small lollipop is introduced. She’ll then poke and prod her boobs with it.

Then Miyabi is tying herself up in a lengthy plastic red rope by turning round and round clockwise. Then she begins to unwind counter-clockwise.

Then, magically, the red rope is gone and Miyabi has this soft ice cream cone. Naturally her boobs will get a coating of the ice cream. Jeez, I hope a shower scene is next.

That doesn’t happen, Instead Miyabi enters our room as a nurse. She’ll talk for a moment, then say something which in this context means ‘excuse me – I’m going to sit on your bed’. She’ll consult her medical chart, then pull back the covers.  I had to rewind this to check it a second time – but when the covers are pulled back, the patient (Us) is sporting a woody wrapped in a bandage. Maybe I should say, what is intended to be a woody. She touches it, then says something like  Hey, this is good and healthy! She’s going to take our temperature, and does, then dutifully records the temp on her chart.

She touches the bandaged appendage for a bit. Then the stethoscope  is used to listen. Uh oh! It seems we need some kind of medicine via an injection. A huge toy syringe is brought out and the injection is applied. We squirm and squirm. But after this, Miyabi says, like meaning you’re alright [now].

Miyabi then leans over to smell the woody, er appendage, and she decides it is healthy enough for the bandage to be removed. And what do we see – right! Another banana. But a treat follows. Miyabi takes off her nurse’s uniform revealing her stacked self in a white bra and panties.

By now we’ve been conditioned to expect that the bra will come off and yes it does, Again we are asked to enjoy a lengthy hand-bra session. When it ends, we are at the 1 h 1 and half minute (1:01:30) mark.

At this point a new chapter begins. Miyabi is in a orange blouse over a very small bikini. She going to ride one of those Rodeo Boy gyrating motorized seats. Or lean on it or lay stomach down on it. But it is a tireless machine, and any which way Miyabi uses it – the results are the same – jiggling boobs. Yeah they position the camera so at some point it is going to look like instead of riding the Rodeo Boy machine, Miyabi is riding you.

Part Two has Miyabi using a rolling free weight on the floor. Part III is a mini trampoline segment. Its fun to watch and I hope I can grab a few captures from this continual motion segment which includes some body lotion being squirted on to her heaving bust. This is the last of the main chapters.

The last five minutes are ‘making of’ scenes and include the director discussing some things with Miyabi. All of this conveys a terrific model working successfully with her director who is able to inspire her with all the supreme confidence she needs to make the video a success. Kudos to director Mitsuhiro Shimamura.

Summary: An excellent video. About the only things I can find to mention as ‘issues’ are the sameness of the pattern of the scenes – clothed, less clothes – unclothed (partially). And the fact that the entire video was shot indoors in the same apartment with just the few minutes out on the patio.

Miyabi looks superb throughout the entire video and makes wonderful eye contact nearly all the time. The music is different from the often repeated songs we hear in gravure videos. And while there’s very little that is innovative about the manner or style of the scenes, Miyabi is so sexy and busty, that it really won’t detract from the video. Four point seven five, Highly recommended. Don’t miss this one.

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