Minami Matsuzaka – 115L no Chohatsu
Takeshobo
Catalog # – TSDV-41249 – Region 2 Disc – 16:9 Aspect
Running Time: 54 minutes + 8 of future releases (previews)

The Skinny: After watching and reviewing Minami Matsuzaka’s three earlier DVDs: L-Cup 115, Juicy Fruit Vol. 1, and Juicy Fruit Vol. 2 - I feel that there’s been an easy to discern pattern to her work, and it can be described quite simply. She’s going to need to resort to a ‘hand bra’ most of the time. Said another way – Minami is more than happy to remove her shirt, her bikini, and/or her bra whenever she’s been asked to do so. Let’s see if the pattern holds true in her latest DVD from Takeshobo. The title is 115L no Chohatsu.

Instead of a montage, they’ve decide to just launch Chapter One. We see a forest and we follow the camera. Soon we see Minami reclining on a piece of furniture covered in a striped green and white sheet. This is a patio behind the house and there’s a good deal of privacy. Minami wears a pink transparent slip, white panties, and yes – she’s in need of a hand-bra, as her bust is not nestled into a cloth bra. It is a slow moving scene, with slow music, and no rapid movements by the model at all.

Two opens with Minami standing in the V of some tree limbs. She wears cut-off denim shorts (unbuttoned at the waist and partially unzipped). She’s not wearing a shirt or a bra. Instead her bust is covered by some sturdy reverse piano key suspenders. That is the suspenders are mostly black with some white keys as opposed to mostly white with some black keys.

When she comes down from the tree, she’ll stand with her back to us while she lowers the suspenders. We get a peek at her boobs from the back and the side. Eventually she turns to face us. The suspenders are now just dangling towards the ground, and yes, we have the hand-bra in play once more, that is following the hand-bra’s cousin who is widely known as the arm-bra.

Three is still outdoors (that’s three out of three scenes under the sky). This time Minami wears a black slip over a tiny thong pantie. She makes her way into a small cement pond. Her boobs are uncovered beneath the slip, and her nipples are concealed by strategically placed satin bows over each breast.

But her form holds true as after exiting the pool (which is not shown), we find Minami laying on a bed of fallen leaves. The slip has been lowered down to her waist, and now her breasts are covered only by her hands or so it appears.

Four finds Minami high up on a hilltop. We see mostly blue sky behind or an occasional shot of the coastline far below. Minami wears a small red bikini.

By using a great many cuts, they’ve edited together a number of shots against these two backgrounds.

Then in an abrupt change, Minami twirls an umbrella while water is sprayed in her direction.

Then in yet another abrupt change, Minami has replaced the red bikini top with a tight black pullover AND she’s standing then laying in another concrete pool.

While the shots were superb, the transitions and changes made no sense at all – and for the 1st time in the DVD, the hand-bra did not come into play.

Five finds Minami talking to us. She seems happy and at ease. There’s no boobs in view clamoring for attention, no posing. It’s just Minami, likely answering questions that we don’t hear. It runs three minutes and is a distinct change of pace.

Next we are back out of doors. Minami wears a thin,black, gauzy shirt jacket over a bra and panties. Imagine that – Minami is wearing a real bra – what a surprise!

Of course, she will run through a series of moves designed to show us gradually, little by little, more and more of her boobs and ass.

Yes the shirt does come off completely and this will eventually lead to – unhooking of the bra, the lowering of the shoulder straps, and ultimately voila, the hand bra, which this time we just won’t show you. This time you may enjoy a real bra.

Next we find a bare breasted Minami on a roof top. Her breasts are being covered only by carefully placed dollops of whipped cream which she is squeezing out of a bottle. Tres artistic. Once there’s enough of the whipped cream on her chest, things get quite messy, and Minami will start to spread the stuff around so she resembles Rio Natsume whose chest was covered in shaving cream in her most recent DVD, which you saw in a recent review – that’s when I lost interest.

Eight is indoors. Minami wears a faux-leopard skin short nightie with red panties and red stockings below.

Of course Minami will lift up the nightgown to show off the bottoms of her boobs. Then after she has left whatever room she was in, we find her outside. Lush vegetation forms the background. Soon the nightie is replaced by a hand-bra, and then one of her breasts is covered by a big-leaf bra. Not an interesting or exciting chapter, but the camera work is superb.

Nine has Minami wearing a matching knit cut-down sweater and shorts combo. Lots of cleavage on display as she’s bra-less.

A look upward angle provides some nice shots of her boobs from below. As expected the shorts are lowered the top lifted.

Then finally something different – Minami jogs – creating a lot of bounce and jiggle. She doesn’t run all that far, but it is sweet. I mean jiggle is almost her middle name, but jogging seemed a bit out of her range. Until now.

Then a brief and unusual split screen effect, with a medium range and a closer up image of the exact same action in perfect synch. And then finally a few spectacular shots of Minami posing on the ground. This is not to say spectacular because of whatever body parts  these images showed. No think instead of just some truly great shot compositions. Like the one directly below this sentence.

Ten finds Minami in bed. Almost immediately she’s going to tug her jersey up to show off some of her breasts. Her red shorts come off and are quickly snatched away by an unseen crew member. Sometimes Minami’s top is tugged up a bit too far so that we can easily see a change in the coloration meaning part of her aureoles are visible.

Then suddenly, meaning we didn’t see it happen, but the top is gone, and her boobs are covered by a wet sheet. Then we positively and definitely get to see a nipple jutting up. And to make sure we hadn’t missed it, they zoom in for a closer look. While poky nipples are not unheard of in gravure videos, this has to be one of the best shots ever of such an occurrence. I mean this was no mistake. They literally wanted us to see it.

Eleven begins at the 52 minute mark and starts with a dreaded banana being tasted. Happily, and quickly the banana exits stage left, and we have Minami in a cute blue  trimmed with pink flowers bra and panties set.

After a nice pose with Minami on her hands and knees, the image is reduced, the credits roll on the left, and the banana re-appears briefly before another occurence of the interview we saw earlier.

Unfortunately, the credits are in Japanese script so I lost any chance to tell you with certainty where they shot this video. But I have a feeling it was in Phuket, Thailand.

As for extras – a slide show and a text profile plus some coming attractions which include a pair of 2 minute clips of Ai Shinozaki, plus three other models.

Summary: The Minami Matsuzaka genre continues along the same lines as before. Lots of hand-bras and lots of teasing. This particular iteration was produced from the fine folks over at Takeshobo. So the production values were high. The images were great – lots of Minami and a rich blue sky as background with nothing else in view. Wonderful shot composition which took full advantage of Mother Nature’s gifts – the excellent leafy trees and plants and shrubs. If I must find something to mention as a possible problem it is that the pacing of most scenes was exceedingly slow, and Minami was pretty much NOT walking about in virtually the entire DVD, This meant that the music was slow and tranquil as well. And there’s an ancillary problem that stems from this too. That would be the lack of transitions. Everything was done with a cut. She’d be in one place, then in the instant of a frame change she’d be somewhere else. I’d prefer to see a few transitions to get from a to b. That’s something for you fellows over at Takeshobo to think about. Four point zero is the rating.

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