Yoko Matsugane – Killer Body (August 20th, 2009)
Line Communications/I-One
Catalog # – LCDV-40384 – All Regions Disc – 16:9 Aspect
Running Time: 68 Minutes

The Skinny: This is the second DVD of Yoko Matsugane’s double release of August 20th, 2009. Killer Body features all of the delightful Yoko’s superb curves, but the entire tenor of the video is different than Soul Bomb.

Soul Bomb seemed like it was 75% gravure and 25% provocative simulated sex. Whereas Killer Body is about pushing the envelope again and again. Just about all of this video seemingly screams out – Hey, I’ve got these huge tits, and wouldn’t you like to get your hands on them? Guess what – in this DVD, someone does.

But that’s Yoko. She can do whatever she likes on screen, and company after company continue to line up and offer motto motto sums of Japanese yen for Yoko to shimmy, shake, and seduce viewers all without taking off everything. Yoko makes non-nudity an art form.

You’ll begin with a stirring montage that runs for about two minutes, and likely will leave you breathless. In the first of the main chapters, Yoko will walk into a room that has red walls, a small settee. a green oil drum, and a large blue hanging heavy punching bag. Yoko wears a skin tight black leather dress. She’ll say Domo (Hi!) then she says, Anata suki-des-sho (pronounced ski-des-show) which I believe means, You like this, not quite a question but more of a statement.

Hell yes, we like! After a zoom in for a closeup of that jammed packed dress, Yoko loses no time in unzipping it. Her boobs seemingly are only too eager to get a little more breathing room. Actually, it’s not a particularly good scene. The zipper is up, and the zipper is down. It’s up again and its down again. The editing also lacked continuity, the lighting was low. Four minutes in total and not very imaginative.

In the next one, we meet Yoko who wears a provocative red outfit. Apparently she’s in some sort of a stark cell. It has peeling walls, and is furnished with just a bed. Yoko flirts for a while. She’ll poke her boobs through the bars of the cell, and look at us longingly.

Then, a surprise, Yoko from inside the cell, opens the cell door and invites us in. Moments later on the bed, she will assume the woman on top position, and simulate having sex while dangling and jiggling her huge bust right in front of our face.

Three begins with Yoko asleeep in bed. She wears a green with floral pattern bra and panties set. We surrepitiously enter her bed chamber and start to poke her lightly with the business end of a tooth brush. Throat, breasts, stomach, buttocks, and even her inner thighs – no area is left untouched. Ultimately she wakes up, adjusts her bra, then sits up in a position that seem to challenge us. It is as if she was saying, What’s next?

She now has the tooth brush in her own hands and more self poking and prodding is what we get next. Soon she’s got her tail up and head down. More sensual posing follows with the scene ending with a nice facial closeup.

Yoko in a blue, very off the shoulder sweater is next. She’s going to apply some body lotion, and we see a few drops appear on her left breast. Then, a drop at a time, Yoko adds some lotion to her upper thighs, both top and bottom. Finally someone else adds the moisturizer to her back and buttocks, and rubs it in. Watch Yoko squirm as the hands play over her butt. Yoko closes the chapter out with more sumptuous posing.

At about 25:20 the next chapter begins with Yoko coming out of the backyard gardening shed. She’s wearing a white ‘furry’ bikini with long floppy ears. Yoko doesn’t try too hard to convince us that she’s a white dog but these clearly aren’t cat ear or rabbit ears, hence my conclusion that’s she’s portraying a dog.

She’s on hands and knees crawling for a few moments; then the rest of the 1st part of this chapter has her Jogging and jiggling. Yes, that kind of jiggling – the one that is done solely to show off her bust. In the second part she’s rubbing against a door, and in the third part she slowly consumes a vanilla ice cream on a stick.

The next stanza begins with Yoko in a white blouse and a short denim skirt. It seems like we are chasing her up the stairs. With no other avenue of escape open to her, she emerges on the roof. She appears frightened and we are trying to touch her. She’ll ask, What are we doing?

The she’ll change tactics. She says, Chotto matte, or Wait a minute. Then she strips down to bra and panties. We the viewers then are treated to some very good closeups of her boobs. Then the scene will conclude with no further fear exhibited by Yoko as now she’s only too happy to show off her curves.

A bedroom scene follows. Yoko wears a short and sheer negligee. We can see through it and beneath it she has on what looks like a white lace bra and panties set. I say looks like because when Yoko removes the sheer top we see that the ‘bra’ has no back nor sides nor any straps.

As you can see from the images, this ‘bra like’ thing covers basically the front of her boobs only. Yoko looks quite pleased as she poses.

A doctor sketch follows. Yoko wears a white lab coat over a red and black bra and panties set. There are two props – a stethoscope and a extend-able pointer. Yoko asks us if we are really alright (hontou dai-jo) then she’ll remove the lab coat.

“We” poke and prod her with the pointer. Eventually she turns on her side on top of the desk, and moves as if we were having intercourse. When that ends, she’ll put the lab coat back on, sit down at the desk. She looks pleased and smiles knowingly at us, and says something that must be – all is alright now.

We are nearly at the fifty minute mark as the next chapter starts. Yoko wears a white lace thing which could be like a bra and panties set, only there connected, Two other people’s hands will move about her body, including her boobs and her butt. This last just two minutes.

Yoko next appears in a black lace one piece outfit that has built in panties and covers for her nipples. It is a very provocative and sexy garment. She’ll be posing on this wood staircase. After about three minutes she starts to tear holes on this sexy garment as well as untie it. But the scene doesn’t do much else. Yoko looks beautiful but this scene kind of falls flat.

We are now at the 59 minute mark. Yoko appears in a stars and stripes glittering bikini as a pole dancer. Only the pole isn’t stationary, and Yoko’s not really a dancer. So instead, the pole serves as a prop. But without any high energy music, the scene fails. But they catch on and change up.A framed mirror is put on the floor, and Yoko will pose on it. We get some unusual angles. but again without high energy moves they aren’t going to win any prizes, nor praise for this.

And that’s the last of the main chapters. Yoko signs a tee-shirt and then briefly talks to us and asks us to buy her DVD. There’s a preview of the companion DVD Soul Bomb. The bonus chapter includes some behind the scenes and out-takes from each of the chapters.

Summary: Now that I have finished this DVD, I have a curious reaction. I think that Yoko looked great in the video. There were more than enough super closeups of her fantastic body. Even the most enthusiastic of those who love the big-busted gravure Idols, will have to admit that this DVD delivered all the flesh one could hope for given the limits of the genre.

But the DVD lacked passion and lacked heat. I won’t go so far as to say that Yoko was just going through the motions. But I didn’t feel like I wanted to watch this one again immediately. Aside from the rooftop sequence, and the dog costume set in the backyard, this one was entirely indoors. It was certainly more ‘hands on’ meaning other people’s hands than we’ve seen before from Yoko, but it just didn’t take off.

I will rate this one at four point two five, a half point less than Soul Bomb, and yes I’ll recommend the video, but I will stop short of saying that this DVD is a must-see.

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