Yoko Matsugane – Bakusho Paishicho 24zi (December 22nd, 2008)
E-Net Frontier
Catalog # – ENFD-5110 – Region 2 Disc – 16:9 Aspect
Running Time: 84 minutes

The Skinny: Same old stuff, new costumes, new settings. Seems like Yoko Matsugane has become very prop oriented these past few years. There’s a banana, there’s gooey stuff being dripped onto her, there’s some one with a riding crop lifting her skirt, etc, etc. What I’m saying is that Yoko is stuck in this simulated-sexual phase. She continues pose the same way in her recent DVDs. Her game plan is to feature those stunning boobs, show us some simulated intercourse (solo of course), and offer crotch shots galore – but we’ve seen all of this before. However, she’s so sexy to look at that I think I could watch her read a book and enjoy myself. [Apologies to reader Irishwars who once said that he could enjoy watching Yoko read a newspaper.]

As the video opens, we find Yoko on a Japanese street somewhere. Trucks and cars whiz by. We approach her from the back, and suddenly ‘we’ are using a riding crop to poke her. She whirls around, give us a look that conveys exasperation. She says something, and I can never quite understand her. Cue montage. And what a montage it is. Runs for two minutes, and this is quite long for a Gravure montage. It’s  like a highlight reel for a sports news show, only this isn’t a game involving a ball – this is just busty Yoko.

The first scene begins and we find Yoko in the same dress as she wore on the street. Whoever it is was that ‘picked’ her up, has brought her home. We are in a small room with tatami mats, and a low table. Yoko and ‘we’ are seated at this low table. There are two tea cups. When Yoko reaches over to a small cabinet, we again take the opportunity to poke and prod her with the riding crop. She looks back at us, not quite exasperated; no, her look conveys something more like resignation. A short quick fade out, and we are back to the same room. Yoko is on her back on the table. Soon her skirt comes off. Her blouse has been opened to reveal her black bra. Soon her knees come up. The camera moves in a little bit closer, and then we hear the table squeaking, and Yoko’s movements match those of a woman having sex. Not really, but the intent is unmistakable. Fade out.

When we begin the second scene, Yoko is perched on the ledge of a bathtub. She’s wearing a green bikini. Some liquid soap is poured on to her chest, and she gives her upper chest a good soap rub. Then she’s in the tub with us. Again her knees come up, and again Yoko is being screwed. At least they want us to think as much. Eventually two shots of soap land on her chest. The pseudo-cumshot. Yoko looks disappointed. Evidently in this ‘sexual’ event – simulated of course – we finished but Yoko didn’t.

Third chapter. Yoko is topless under her polka-dot apron. All she wears beneath is yellow panties trimmed with white lace. We get some neat peaks at her cleavage as she is bending over to clean a table. There’s no intercourse in this one. But there is some oral hi-jinx with a banana.

In Four Yoko is in bed. She wears panties and a deeply cut top that affords us some grand views of her amazing cleavage. As if that wouldn’t enough of a treat for us, Yoko again simulates having sex. In fact this happens twice. Once with Yoko on her back (Knees up) and then with Yoko astride us on top. Actually, she’s just humping a pillow but the visuals of looking up at her are a treat.

So now lets take a moment to recap. We’ve seen four scenes. In three of them Yoko simulates fucking and in the other, she gives oral sex to a banana. Who said gravure videos are boring?

Five finds Yoko in an office setting. She appears in a long white doctor’s coat. Maybe she’s a sexual therapist. First she show us this the red plastic thing. It is an object that a woman can place beneath her buttocks while in bed, or on a table, that will elevate her pelvis in just the right way to facilitate better sex for the loving couple. This time she only shows off the positioning. There’s no simulated sex. The rest of this chapter has Yoko flaunting her assets while just posing.

Six  begins with Yoko in a red bra and panties set. Someone, sorry, make that two people are brandishing these pink plastic light rods. Poking her boobs is what they are doing. Then some sort of battery operated apparatus with a flashing light is introduced into Yoko’s mouth. We can see the hand. Soon, Yoko is handling the light rods herself. She’ll probe inside her bra and inside her panties.

Seven is a classroom setting. Yoko is the student, and we are the sensei or teacher. Yoko is asking us for help. Maybe her studies aren’t going so well. How do we help her? First we use our lecturer’s pointing rod to probe between Yoko’s legs under the desk. Then we have her open up her clothing, stand in front of the blackboard, face the black board and bend over. She’ll support herself with her hands on the blackboard as we administer some rear entry lessons. All of this is simulated of course, as we never see any one else.

Eight has Yoko as a massage aka rub-and-tug girl. She rubs us while facing us, then we get a great view of her butt as she sits astride us and massages our legs while facing toward our feet. Yoko wears a lovely red bra trimmed with white lace. This scene has a second part with Yoko lying on a couch touching herself.

Next is Yoko in a bathtub. It looks like she’s wearing just a towel and panties. She’s doing something to us. The scene is meant to convey  handjob. Yoko says, “Kimoji nei” or Hey, this feels good. Eventually Yoko will unwrap the towel  and we get some views of portions of her nude boobs as well as some nice looks at her butt which is nicely presented to us.

Ten is post bath. Yoko has her hair down. She’s got the towel on and somehow Yoko manages to put on a bra right in front of us. I don’t think it was really possible for her to so while holding the towel and there was one cut, but it sure looked like it.

There’s an empty bottle of a sparkling wine which Yoko uses a prop nestling it in her cleavage. There’s some nice glamor posing as Yoko again shows off her butt. To close out the scene, Yoko lowers her bra a bit, and once more there’s simulated intercourse. Fade out.

Summary: After the last chapter’s fade out. Yoko walks out of a building. And on that note, I’ll leave you in suspense. No spoilers here.

Aside from the brief opening and closing on the street, this DVD was totally indoors. Every chapter in this DVD had some kind of sexual impact. Make no mistake, this wasn’t a video with an 18 year old girl having fun at the beach and the pool. This may be a gravure idol video, but the theme was meant for adults.

My thoughts are that while I usually love to see Yoko in a bikini on a beach, there was none of that in this DVD. And I didn’t miss it. Yoko is ever so capable of attracting you, engaging you, and keeping you interested. This DVD is just another in a long list of her successful videos. The editing, lighting, and pacing were all superb. There was nothing dark or sinister. Yoko never came off as being victimized or forced to do something. I’ve heard better music in other Yoko DVD’s but this isn’t a big criticism.

From my introduction at the beginning you may have thought that this was going to be a negative review. Well it isn’t; despite the lack of originality in the visuals, this was a very well done DVD executed to a T. My rating is four point five with a hearty recommendation.

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