I Hold Nothing - Hiroko Sato
I hold nothing - Hiroko Sato
For-side/Cutie
The Skinny: Seems like it wasn’t that long ago that we were looking at the gorgeous Hiroko Sato as she wandered about in Rome before heading over to Sardinia. The prettiest girls seem to get the plummest of trips; obviously the trend continues. This time Hiroko is whisked off to the lush vacation paradise area commonly called The Great Barrier Reef. I’m talking Port Douglas, the Daintree Forest, and Cairns, Queensland, Australia.
Once again Hiroko looks smashing, and we couldn’t be happier to see her on-screen again!
The opening scene has Hiroko wearing a semi-see-through wrap skirt and matching top. This is your basic tribute to beauty. Nothing flashy, it’s all Hiroko and all natural. Looks like black panties under the dress. She doesn’t seems to be trying very hard to look alluring, which is how it should be if you say all natural.
The centerpiece is the model. The sky, the trees, the pool, all seem to be components added to the shot composition to support the beauty of the model; but with changes to depth of field, sometimes the leaves are brought into sharp focus and the model’s face loses sharpness of focus. This is how the allure of Hiroko captures you as you want to see her again and again.
In the second chapter, she’s in white undies posing for us on her hotel room bed. While her posing is intentionally semi-provocative, it is never lurid. And again she is all you can see. You might even miss the intricately carved Balinese headboard of the bed.
Scene three has Hiroko in a one piece v-necked white knit dress. She sports exotic leather boots to just below the knees and wears a cap that might be called 1930’s-ish newsboy. She’s very beguiling as she is dockside at a Marina and we take note of a cruise ship that tours the Great Barrier Reef in the background.
Later they all go to a restaurant, and Hiroko nearly bites off more than she can handle in the way of a huge steamed dumpling.
Scene four has Hiroko in a gorgeous beige satin teddy over white satin panties. The scene initially lacks a bold color as the off-white walls of the bright sunlight lit room, combine with Hiroko’s bare shoulders to make for a nearly monochromatic setting.
There are other colors - the pale lime green settee, the English chair - but these are muted. The only marked contrast is her dark hair. But the one thing that shines through is Hiroko’s stunning beauty.
Near the end of the scene we suddenly see a unique hanging mobile of heart-shapes with reflective mirrors. But it gets only a minimal amount of screen time, before we see Hiroko reclining on the upholstered settee in a pose calculated to show off a good amount of cleavage.
The next scene is a real stunner. We see Hiroko atop a carpeted staircase. She’s wearing smoky nylon stockings, black bikini panties, a faux leopard skin blouse over a black bra. She plays to the camera and us in a manner that can be described as smoldering. She’s very hot looking, and after the blouse comes off, the scene plays as a seduction in progress.
While Hiroko does move and change postures and positions, most of this is achieved via the editing; meaning the scene lacks continuity of motion. But to be honest, I didn’t care as I was unable to tear my eyes from the screen.
Next we are out on what we might call a screen-less porch. Hiroko wears an artily striped bikini and you can’t help but notice that this bikini seems perfectly matched with ferns fluttering in the light breezes.
It is as if the art director decided on the location,the furniture, the bikini, and the music, which is a softly played piano and strings based romantic tune, in advance, then he and the director gave Hiroko the instructions on how to move throughout the scene. What we see, in the final edit is “Pefectly Planned and Perfectly Executed.
And one more thing - Hiroko again shows more of her breasts than we have previously seen in her other DVDs. Not that there’s anything wrong with that…!
She’s busty all right, but could not be called a seamstretcher. Her bust is high and firm, with a pleasing cleavage. Combined with her full hips, and graceful movements, she is a definitely a crowd-pleaser.
Next we have Hiroko in another one piece knit sweater/dress. As the scene opens, she’s perched on what appears to be kitchen sink nursing a cup of tea. She climbs down and we next see or her in a canopied bed. There’s a dark blanket and beneath we see a colorful multi-colored stitched quilt.
Hiroko is reclined and they have her go through a series of languid poses. Here and there she laughs, stretches, gives a peek of some cleavage. Again I feel like I am being seduced. If only it was true!
Then there’s an abrupt mood change. Hiroko is back in the kitchen chatting with someone ( the director? the producer?). I don’t know who it is, as he’s off-screen. But Hiroko laughs and kids around, and we see her as if she’s off-duty. She not modeling now. She’s just hanging out with the crew.
Suddenly we are out by the shore. There’s the sea which we see briefly before Hiroko is asked to clamber up on the rocks, and seduce us yet again. It is a brief scene, and they overplayed the use of a reflector, as the lighting did not appear natural despite the outdoor location.
Before you can really get to dislike the scene - they abruptly cut to Hiroko in the shower! While Hiroko looks very nice when wet, this scene is over-directed. Hiroko’s motion and facial expressions are too much the product of the director’s imagination rather than what she might do as a woman. While she does look as enticing as ever, I thought this scene didn’t really work. Besides that the pacing of the cuts conflicted with pace of the music.
But we are then back in the house. The ethereal music, the wind chimes, the wind in the drapes, the necklace, the earrings, and a spectacular dress all set the mood. Here Hiroko is asked to play sophisticated as well as sexy. This isn’t a bikini gravure scene.
No sir, this scene is set up to convey that you and the lady are dressed to go out on the town to an elegant soiree, but you’re never going to leave the house, because Hiroko is just too alluring for you to want to share her with other folks for even a part of the evening.
Back to the rocky shore next. And this is the same scene we saw before, only this has the look and feel of a “making of” segment. But shortly thereafter we are deep in the primeval forest. This might have been a superb location scene only this is where they chose to scroll the credits by.
Following the credits, we join Hiroko in her bedroom. She’s wearing a beautiful bra and panties set. This another languid scene played for that sensual and luxurious feeling we might have after one sexual romp that’s going to lead to another.
Next we have Hiroko and the crew on the outskirts of a town. They’ve parked the car and Hiroko is posing on some railroad tracks. This has all the signs of being an impromptu spur-of the moment type of deal. Just for a few moments before some more hamming it up with crew. This is the closing minute or two of the DVD.
Summary - Four point five. The only negatives I can come up with are the over-directed shower scene, and probably they might have utilized a bit more boldness in the selections of color. Not that it was drab - but muted pastels can only work for so long before you start squirming in your seat looking for a rich blue, or a bright red.
Fortunately, Hiroko Sato is a nearly perfect model. She exudes grace and with her stunning good looks and well proportioned figure, she will be a fan favorite for quite sometime. Did I mention limber? Can you run your feet through your own hair like Hiroko can? No? Neither can I.
